{"id":4304,"date":"2015-11-30T10:51:19","date_gmt":"2015-11-30T10:51:19","guid":{"rendered":"http:\/\/www.arovite.com\/parejo-nekane-2005-2\/"},"modified":"2015-11-30T10:51:19","modified_gmt":"2015-11-30T10:51:19","slug":"parejo-nekane-2005","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/eu\/parejo-nekane-2005\/","title":{"rendered":"PAREJO, Nekane (2005)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n<strong>Referencia bibliogr\u00e1fica<\/strong><br \/>\nPAREJO, Nekane (2005): \u00abEl impacto de las fotograf\u00edas de los atentados de ETA a trav\u00e9s de la prensa bilba\u00edna, 1968-1982\u00bb, <em>Bidebarrieta<\/em>, n\u00ba 16, pp. 425-440.<\/p>\n<p><a class=\"button blue  medium \" href=\"http:\/\/bidebarrieta.com\/includes\/pdf\/Parejo_20141201211424.pdf\" target=\"_blank\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\nEn esta comunicaci\u00f3n se analiza la evoluci\u00f3n de la representaci\u00f3n gr\u00e1fica de la muerte a trav\u00e9s de las fotograf\u00edas publicadas en la prensa de los atentados cometidos por E.T.A. durante los inicios de la transici\u00f3n. La investigaci\u00f3n tiene como soporte lo que posteriormente se denominar\u00e1n diarios tradicionales: La Gaceta del Norte, Hierro y El Correo. Junto a ellos se estudiar\u00e1 el papel desempe\u00f1ado por Deia, cuyo objetivo primordial es distanciarse de las inercias del franquismo y que surge como el diario con una apuesta m\u00e1s arriesgada a nivel fotogr\u00e1fico.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Laburpena<\/strong><br \/>\nKomunikazio honetan heriotzaren irudikapen grafikoaren bilakaera aztertzen da, prentsan argitaratutako trantsizioko hasierako urteetako ETAren atentatuen argazkien bidez. Lan honetan gerora egunkari tradizional izango zirenak aztertzen dira: La Gaceta del Norte, Hierro eta El Correo. Horiekin batera, Deiak izan zuen zeregina aztertzen da. Deiaren helburu nagusia frankismoaren inertzietatik aldentzea izan zen eta argazki mailan apusturik handiena berak egin zuen.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\nThis paper analyses the evolution of the graphic representation of death through the photographs of ETA actions published in the press at the start of the transition. Our research is based in what were later to be termed traditional newspapers: El Correo and La Gaceta del Norte. Alongside these newspapers, we study the role played by Deia, whose main aim was to distance itself from the inertia of Francoism, and which emerged as a newspaper that made a more daring use of photographic material.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\nNekane Parejo. <a title=\"Dialnet\" href=\"http:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=1801105\" target=\"_blank\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica PAREJO, Nekane (2005): \u00abEl impacto de las fotograf\u00edas de los atentados de ETA a trav\u00e9s de la prensa bilba\u00edna, 1968-1982\u00bb, Bidebarrieta, n\u00ba 16, pp. 425-440.&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-4304","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/4304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/comments?post=4304"}],"version-history":[{"count":0,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/4304\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/media?parent=4304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}