{"id":25278,"date":"2026-03-22T09:02:00","date_gmt":"2026-03-22T09:02:00","guid":{"rendered":"https:\/\/www.arovite.com\/thouverez-ludivine-2023\/"},"modified":"2026-03-22T09:02:00","modified_gmt":"2026-03-22T09:02:00","slug":"thouverez-ludivine-2023","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/eu\/thouverez-ludivine-2023\/","title":{"rendered":"THOUVEREZ, Ludivine (2023)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n<strong>Referencia bibliogr\u00e1fica<\/strong><\/p>\n<p>THOUVEREZ, Ludivine (2023): \u00abMemorias subterr\u00e1neas de la violencia de ETA: estudio de tres comics vascos\u00bb, <em>Atlante. Revue d\u2019\u00e9tudes romanes<\/em>, n\u00ba 19, pp. 1-20.<\/p>\n<p><a class=\"button blue  medium \" href=\"https:\/\/www.google.com\/url?sa=t&#038;source=web&#038;rct=j&#038;opi=89978449&#038;url=https:\/\/journals.openedition.org\/atlante\/30043&#038;ved=2ahUKEwjkzqe-kbOTAxUq9gIHHX8RPRMQFnoECBUQAQ&#038;usg=AOvVaw1K6hQl2Eau0sQI2r6tjJ9p\" target=\"_blank\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\nEl cese definitivo de la actividad de ETA abri\u00f3 el paso a una etapa de posviolencia en la que las instituciones y la sociedad civil han tenido que enfrentarse a varios desaf\u00edos. Entre ellos, el relato de los hechos pasados. La adopci\u00f3n de pol\u00edticas memoriales y la producci\u00f3n de ficciones participaron de la conformaci\u00f3n de una memoria hegem\u00f3nica que presenta la violencia de ETA como un ataque a la democracia y cuyas figuras centrales son las v\u00edctimas. Bas\u00e1ndonos en los aportes te\u00f3ricos de los <em>Memory studies<\/em> y <em>Visual studies<\/em> sobre las potencialidades del lenguaje gr\u00e1fico en el tratamiento de la memoria, esta contribuci\u00f3n estudia c\u00f3mo tres c\u00f3mics publicados en el entorno del independentismo vasco \u2013<em>Black is Beltza<\/em>, <em>La Consulta: los \u00faltimos d\u00edas de Santi Brouard<\/em> y <em>Burgosko Auzia. Iraultza eta bizi!<\/em>\u2013 problematizan la violencia de ETA e introducen matices, en un di\u00e1logo permanente entre pasado y presente. [vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\nIn 2011, the end of ETA activity marked the start of a post-violence phase in which institutions and civil society have had to face up a number of challenges, including the narration of past events. The adoption of memorial policies and the production of fictions have contributed to the formation of a hegemonic memory presenting ETA\u2019s violence as an unjustifiable attack on democracy, and whose central figures are the victims. Drawing on the theoretical contributions of Memory studies and Visual studies on the potential of graphic language in the processing of memory, this contribution studies how three comic strips published in the context of the Basque movement for independence \u2013<em>Black is Beltza<\/em>, <em>La Consulta: los \u00faltimos d\u00edas de Santi Brouard<\/em> y <em>Burgosko Auzia. Iraultza eta bizi!<\/em>\u2013 problematize ETA\u2019s violence and introduce a series of nuances, in an ongoing dialogue between past and present.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>R\u00e9sum\u00e9<\/strong><br \/>\nLa fin de l\u2019activit\u00e9 de l\u2019ETA marque le d\u00e9but, en 2011, d\u2019une phase de post-violence dans laquelle les institutions et la soci\u00e9t\u00e9 civile ont d\u00fb affronter plusieurs d\u00e9fis comme le r\u00e9cit des \u00e9v\u00e9nements pass\u00e9s. L\u2019adoption de politiques m\u00e9morielles et la r\u00e9alisation de fictions ont contribu\u00e9 \u00e0 la formation d\u2019une m\u00e9moire h\u00e9g\u00e9monique pr\u00e9sentant la violence de l\u2019ETA comme une attaque injustifiable \u00e0 la d\u00e9mocratie et dont les figures centrales sont les victimes. En se basant sur les apports th\u00e9oriques des <em>Memory studies<\/em> et des <em>Visual studies<\/em> sur le potentiel du langage graphique dans le traitement de la m\u00e9moire, cette contribution \u00e9tudie comment trois bandes dessin\u00e9es publi\u00e9es dans le contexte de l\u2019ind\u00e9pendantisme basque \u2013<em>Black is Beltza<\/em>, <em>La Consulta: los \u00faltimos d\u00edas de Santi Brouard<\/em> y <em>Burgosko Auzia. Iraultza eta bizi!<\/em>\u2013 probl\u00e9matisent la violence de l\u2019ETA et introduisent une s\u00e9rie de nuances, dans un dialogue permanent entre pass\u00e9 et pr\u00e9sent. [vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\nLudivine Thouverez. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=2223092\" target=\"_blank\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica THOUVEREZ, Ludivine (2023): \u00abMemorias subterr\u00e1neas de la violencia de ETA: estudio de tres comics vascos\u00bb, Atlante. Revue d\u2019\u00e9tudes romanes, n\u00ba 19, pp. 1-20. Consultar PDF[vc_empty_space&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-25278","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/25278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/comments?post=25278"}],"version-history":[{"count":0,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/25278\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/media?parent=25278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}