{"id":25165,"date":"2026-03-01T08:48:47","date_gmt":"2026-03-01T08:48:47","guid":{"rendered":"https:\/\/www.arovite.com\/alonso-rey-maria-dolores-2019\/"},"modified":"2026-03-01T08:49:37","modified_gmt":"2026-03-01T08:49:37","slug":"alonso-rey-maria-dolores-2019","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/eu\/alonso-rey-maria-dolores-2019\/","title":{"rendered":"ALONSO REY, Mar\u00eda Dolores (2019)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n<strong>Referencia bibliogr\u00e1fica<\/strong><\/p>\n<p>ALONSO REY, Mar\u00eda Dolores (2019): \u00abPerd\u00f3n condicionado y est\u00e9tica del desorden en <em>Patria<\/em> de Fernando Aramburu\u00bb, <em>Tonos digital: revista de estudios filol\u00f3gicos<\/em>, n\u00ba 36, pp. 1-22. <\/p>\n<p><a class=\"button blue  medium \" href=\"https:\/\/digitum.um.es\/server\/api\/core\/bitstreams\/2e0a0b87-0daa-4ce6-8dc4-1b136792ca2c\/content\" target=\"_blank\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\n<em>Patria<\/em> de Fernando Aramburu es una ficci\u00f3n que combate el relato panvictimista con el que se pretende olvidar a las v\u00edctimas del terrorismo y justificar la violencia pol\u00edtica. Por ello la acci\u00f3n se centra en el perd\u00f3n y en la reconciliaci\u00f3n una vez que se ha hecho memoria. Presenta el perd\u00f3n como algo parad\u00f3jico. El objetivo de nuestro trabajo ser\u00e1 analizar la nueva visi\u00f3n que se ofrece de las v\u00edctimas, las paradojas del perd\u00f3n y su proyecci\u00f3n social, as\u00ed como la est\u00e9tica utilizada para dar cuenta del proceso.[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\n<em>Patria<\/em> by Fernando Arramburu is a fiction that opposes the narrative of the general \u2018cult of victims\u2019 used as an intent to forget the victims of the terrorism and to justify the political violence. To this end the action is focussed on forgiveness and reconciliation once the facts have been assimilated by the memory. It presents forgiveness as something paradoxical. Our objective in this study will be to analyse 1the new vision of the victims that is proposed, the ambiguities of forgiveness and their social projection as well as the aesthetics used to describe the process<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\nMar\u00eda Dolores Alonso-Rey. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=1285781\" target=\"_blank\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica ALONSO REY, Mar\u00eda Dolores (2019): \u00abPerd\u00f3n condicionado y est\u00e9tica del desorden en Patria de Fernando Aramburu\u00bb, Tonos digital: revista de estudios filol\u00f3gicos, n\u00ba 36, pp.&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-25165","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/25165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/comments?post=25165"}],"version-history":[{"count":2,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/25165\/revisions"}],"predecessor-version":[{"id":25170,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/25165\/revisions\/25170"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/media?parent=25165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}