{"id":24823,"date":"2026-01-18T10:23:56","date_gmt":"2026-01-18T10:23:56","guid":{"rendered":"https:\/\/www.arovite.com\/chicharro-merayo-mar-gil-gascon-fatima-y-antona-jimeno-tamara-2024\/"},"modified":"2026-01-18T10:23:56","modified_gmt":"2026-01-18T10:23:56","slug":"chicharro-merayo-mar-gil-gascon-fatima-y-antona-jimeno-tamara-2024","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/eu\/chicharro-merayo-mar-gil-gascon-fatima-y-antona-jimeno-tamara-2024\/","title":{"rendered":"CHICHARRO MERAYO, Mar, GIL GASC\u00d3N, F\u00e1tima y ANTONA JIMENO, Tamara (2024)"},"content":{"rendered":"

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\nReferencia bibliogr\u00e1fica<\/strong>
\nCHICHARRO MERAYO, Mar, GIL-GASC\u00d3N, F\u00e1tima y ANTONA-JIMENO, Tamara (2024): \u00abFicci\u00f3n televisiva y memoria pol\u00edtica sobre el terrorismo en Espa\u00f1a: el caso de ETA\u00bb, Index comunicaci\u00f3n<\/em>, n\u00ba 14\/1, pp. 301-321. <\/p>\n

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\nResumen<\/strong>
\nDespu\u00e9s de m\u00e1s de cuarenta a\u00f1os de acci\u00f3n armada, en 2011, la banda terrorista ETA (Euskadi Ta Askatasuna\/Pa\u00eds Vasco y Libertad) puso fin a su lucha por la independencia vasca. El presente estudio aborda el tratamiento de la banda terrorista ETA, en la ficci\u00f3n televisiva. Se parte del supuesto general de que estas producciones colaboran en la construcci\u00f3n de memoria, en la revisi\u00f3n de la historia y la gesti\u00f3n de traumas sociales. Se plantea el estudio de 15 producciones, principalmente dram\u00e1ticas, en las que se ha identificado una presencia central de ETA en su lucha armada por la independencia del Pa\u00eds Vasco. A trav\u00e9s de la metodolog\u00eda del close reading se ha realizado un an\u00e1lisis narrativo, atendiendo a tres variables fundamentales: la identificaci\u00f3n del protagonista y su relaci\u00f3n con la banda; el rol narrativo de la banda; los escenarios en los que se desarrolla la acci\u00f3n. Los resultados se\u00f1alan como es posible construir una tipolog\u00eda de estas producciones en la que se pone de manifiesto la diversidad de enfoques y tratamientos en torno a la banda. [vc_empty_space height=”10″]
\nAbstract<\/strong>
\nAfter more than forty years of armed action, in 2011 the terrorist group ETA (Euskadi Ta Askatasuna\/Basque Country and Freedom) ended its armed fight for Basque independence. This study focuses on the treatment of the terrorist group ETA in Spanish television fiction. This research is based on the general assumption that television fiction products collaborate in the construction of collective memory, the revision of history and the management of social trauma. Audiovisual memory can be a tool that helps forgiveness and reconciliation processes. This research studies 15 productions, mainly dram, in which ETA and its armed struggle for the independence of the Basque Country has a central presence. Using the close reading methodology, a narrative analysis has been made concerning three main variables: the figure of the protagonist, the narrative role of ETA, and the scenery where the action takes place. The results indicate how it is possible to build a typology of these productions through which different approaches and treatments around the terrorist band are identified. [vc_empty_space height=”10″]
\nAutor<\/strong>
\nMar Chicharro Merayo. P\u00e1gina del autor en Dialnet.<\/a>
\nF\u00e1tima Gil Gasc\u00f3n. P\u00e1gina del autor en Dialnet.<\/a>
\nTamara Antona Jimeno. P\u00e1gina del autor en Dialnet.<\/a>
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\nTipo de documento<\/strong>
\nArt\u00edculo
\n[vc_empty_space height=”10″]
\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text][vc_empty_space height=”20″] Referencia bibliogr\u00e1fica CHICHARRO MERAYO, Mar, GIL-GASC\u00d3N, F\u00e1tima y ANTONA-JIMENO, Tamara (2024): \u00abFicci\u00f3n televisiva y memoria pol\u00edtica sobre el terrorismo en Espa\u00f1a: el caso de ETA\u00bb, Index comunicaci\u00f3n,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-24823","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/24823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/comments?post=24823"}],"version-history":[{"count":0,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/24823\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/media?parent=24823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}