{"id":17019,"date":"2023-02-15T17:58:47","date_gmt":"2023-02-15T17:58:47","guid":{"rendered":"https:\/\/www.arovite.com\/?page_id=17019"},"modified":"2023-02-15T17:58:48","modified_gmt":"2023-02-15T17:58:48","slug":"abellan-garcia-barrio-alvaro-2022","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/eu\/abellan-garcia-barrio-alvaro-2022\/","title":{"rendered":"ABELL\u00c1N-GARC\u00cdA BARRIO, \u00c1lvaro (2022)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n <strong>Referencia bibliogr\u00e1fica<\/strong><br \/>\nABELL\u00c1N-GARC\u00cdA BARRIO, \u00c1lvaro (2022): \u00abLa aportaci\u00f3n de \u2018Patria\u2019 a la \u201cgran conversaci\u00f3n\u201d sobre el terrorismo de ETA\u00bb, <em>Araucaria. Revista Iberoamericana de Filosof\u00eda, Pol\u00edtica, Humanidades y Relaciones Internacionales<\/em>, n\u00ba 50, pp. 135-157.<\/p>\n<p><a class=\"button blue  medium \" href=\"https:\/\/dialnet.unirioja.es\/descarga\/articulo\/8571861.pdf\" target=\"_blank\" rel=\"noopener\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\nApoyados en los trabajos de Mijail Bajtin abordamos el estudio de Patria (Fernando Aramburu, 2016) respetando su singularidad como obra literaria y, a un tiempo, atendiendo a su ineludible referencia a la historia del Pa\u00eds Vasco. La hip\u00f3tesis es que Patria aprovecha los recursos del g\u00e9nero para constituirse como una gran novela dial\u00f3gica, aportando un valioso enfoque a la \u201cgran conversaci\u00f3n\u201d sobre el terrorismo de ETA. Para confirmar esta hip\u00f3tesis, realizaremos un an\u00e1lisis de la macroestructura narrativa de la novela, as\u00ed como de la polifon\u00eda y dialog\u00eda en sus diversas voces narrativas, al nivel de la microestructura narrativa del relato. Estos an\u00e1lisis nos invitan a sugerir la noci\u00f3n de m\u00edmesis de vigencias sociales para dar cuenta del tipo de \u201crealismo\u201d que podemos encontrar en la novela. [vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\nSupported by the works of Mija\u00edl Bajt\u00edn, we approach the study of Patria (Fernando Aramburu, 2016) respecting its identity as a literary work and, at the same time, integrating its unavoidable reference to the history of the Basque Country. The hypothesis is that Patria takes advantage of the resources of the literary genre to become a great dialogical novel, providing a valuable focus to the &#8220;great conversation&#8221; about ETA terrorism. To confirm this hypothesis, we analyze the macrostructure of the novel, as well as the polyphony and dialogue in its various narrative voices, at the level of the microstructure of the story. These analyzes invite us to suggest the notion of mimesis of social validities to explain the type of &#8220;realism&#8221; that we can find in the novel. [vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\n\u00c1lvaro Abell\u00e1n-Garc\u00eda Barrio. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=1225823\" target=\"_blank\" rel=\"noopener\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica ABELL\u00c1N-GARC\u00cdA BARRIO, \u00c1lvaro (2022): \u00abLa aportaci\u00f3n de \u2018Patria\u2019 a la \u201cgran conversaci\u00f3n\u201d sobre el terrorismo de ETA\u00bb, Araucaria. Revista Iberoamericana de Filosof\u00eda, Pol\u00edtica, Humanidades y&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-17019","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/17019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/comments?post=17019"}],"version-history":[{"count":1,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/17019\/revisions"}],"predecessor-version":[{"id":17021,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/17019\/revisions\/17021"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/media?parent=17019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}