{"id":11213,"date":"2020-04-23T09:19:31","date_gmt":"2020-04-23T09:19:31","guid":{"rendered":"https:\/\/www.arovite.com\/casas-olcoz-ana-maria-2019\/"},"modified":"2020-04-23T09:20:02","modified_gmt":"2020-04-23T09:20:02","slug":"casas-olcoz-ana-maria-2019","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/eu\/casas-olcoz-ana-maria-2019\/","title":{"rendered":"CASAS-OLCOZ, Ana Mar\u00eda (2019)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n<strong>Referencia bibliogr\u00e1fica<\/strong><br \/>\nCASAS-OLCOZ, Ana Mar\u00eda (2019): \u00abTratamiento ficcional de un suceso hist\u00f3rico: el caso de <em>Patria<\/em>, de Fernando Aramburu\u00bb, <em>Sancho el Sabio<\/em>, n\u00ba 42, pp. 141-162.<\/p>\n<p><a class=\"button blue medium \" href=\"https:\/\/revista.sanchoelsabio.eus\/index.php\/revista\/article\/view\/254\" target=\"_blank\" rel=\"noopener noreferrer\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\n<em>Patria<\/em> (2016), de Fernando Aramburu, supone una reelaboraci\u00f3n literaria de los llamados \u201ca\u00f1os de plomo\u201d del terrorismo de ETA. Este art\u00edculo analiza los procedimientos ficcionales utilizados para elaborar, en base a unos hechos hist\u00f3ricos, una obra art\u00edstica aut\u00f3noma: el af\u00e1n de totalizaci\u00f3n en la selecci\u00f3n del contenido, la configuraci\u00f3n de un c\u00f3digo simb\u00f3lico basado en la lluvia, la fragmentaci\u00f3n y la fotograf\u00eda; y la utilizaci\u00f3n de puntos de vista m\u00faltiples en la narraci\u00f3n.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\n<em>Patria<\/em> (2016), by Fernando Aramburu, is a literary reconstruction of the so-called \u201cyears of lead\u201d of ETA terrorism. This article reflects on the technique used for the creation of an autonomous artistic work based on historical facts: the totalization in content selection, the configuration of a symbolic code based on rain, fragmentation, and photography; and the use of multiple points of view in the narrative.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Laburpena<\/strong><br \/>\n<em>Patria<\/em> (2016), Fernando Arambururena, ETAren terrorismoaren \u201cberun-urteak\u201d deitutakoen berregite literarioa da. Artikulu honek, gertakari historiko batzuetan oinarrituz obra artistiko autonomo bat egiteko erabilitako fikziozko prozedurak aztertzen ditu: totalizazio-ahalegina edukien hautespenean; eurian, fragmentazioan eta argazkian oinarritutako kode sinboliko baten eraketa; eta ikuspuntu askoren erabilera narrazioan.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\nAna Mar\u00eda Casas-Olcoz. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=4817235\" target=\"_blank\" rel=\"noopener noreferrer\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica CASAS-OLCOZ, Ana Mar\u00eda (2019): \u00abTratamiento ficcional de un suceso hist\u00f3rico: el caso de Patria, de Fernando Aramburu\u00bb, Sancho el Sabio, n\u00ba 42, pp. 141-162. Consultar&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-11213","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/11213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/comments?post=11213"}],"version-history":[{"count":1,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/11213\/revisions"}],"predecessor-version":[{"id":11215,"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/pages\/11213\/revisions\/11215"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/eu\/wp-json\/wp\/v2\/media?parent=11213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}