{"id":25298,"date":"2026-03-22T09:28:30","date_gmt":"2026-03-22T09:28:30","guid":{"rendered":"https:\/\/www.arovite.com\/?page_id=25298"},"modified":"2026-03-22T09:28:30","modified_gmt":"2026-03-22T09:28:30","slug":"veres-cortes-luis-2025","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/es\/veres-cortes-luis-2025\/","title":{"rendered":"VERES CORT\u00c9S, Luis (2025)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n<strong>Referencia bibliogr\u00e1fica<\/strong><\/p>\n<p>VERES CORT\u00c9S, Luis (2025): \u00abJuan Madrid e Imanol Uribe: <em>D\u00edas contados<\/em>, terrorismo, novela y cine\u00bb, <em>Fotocinema<\/em>, n\u00ba 31, pp. 285-309.<\/p>\n<p><a class=\"button blue  medium \" href=\"https:\/\/dialnet.unirioja.es\/descarga\/articulo\/10288068.pdf\" target=\"_blank\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\nEste art\u00edculo trata de reflexionar sobre la adaptaci\u00f3n al cine de la novela de Juan Madrid <em>D\u00edas contados<\/em> por parte del director vasco Imanol Uribe en el panorama del cine sobre el grupo terrorista ETA. La novela retrata los a\u00f1os de la movida madrile\u00f1a mediante una trama policiaca en la que se ve integrado el mundo pol\u00edtico y el mundo de la droga en el barrio de Malasa\u00f1a. La trasposici\u00f3n al cine por parte de Uribe inserta una peque\u00f1a parte de esa trama en el mundo de ETA y la preparaci\u00f3n de un atentado contra una comisar\u00eda en Madrid. Las diferencias son evidentes. El articulo trata de explicar las dependencias e independencias de las dos obras y los cambios en su paso de la literatura al cine. [vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\nThis article seeks to reflect on the film adaptation of the novel by Juan Madrid <em>D\u00edas contados<\/em> by the Basque director Imanol Uribe in the panorama of cinema about the terrorist group ETA. The novel portrays the years of the \u201cmovida madrile\u00f1a\u201d through a police plot in which the political world and the world of drugs are integrated in the Malasa\u00f1a neighborhood. Uribe&#8217;s transposition to the cinema inserts a small part of that plot into the world of ETA and the preparation of an attack on a police station in Madrid. The differences are evident. The article tries to explain the dependencies and independences of the two works and the changes in their passage from literature to cinema.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\nLuis Veres. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=225463\" target=\"_blank\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica VERES CORT\u00c9S, Luis (2025): \u00abJuan Madrid e Imanol Uribe: D\u00edas contados, terrorismo, novela y cine\u00bb, Fotocinema, n\u00ba 31, pp. 285-309. Consultar PDF[vc_empty_space height=&#8221;10&#8243;] Resumen Este&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-25298","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/25298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/comments?post=25298"}],"version-history":[{"count":1,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/25298\/revisions"}],"predecessor-version":[{"id":25299,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/25298\/revisions\/25299"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/media?parent=25298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}