{"id":25269,"date":"2026-03-22T08:39:11","date_gmt":"2026-03-22T08:39:11","guid":{"rendered":"https:\/\/www.arovite.com\/?page_id=25269"},"modified":"2026-03-22T09:04:11","modified_gmt":"2026-03-22T09:04:11","slug":"thouverez-ludivine-2020","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/es\/thouverez-ludivine-2020\/","title":{"rendered":"THOUVEREZ, Ludivine (2020)"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text][vc_empty_space height=”20″]
\nReferencia bibliogr\u00e1fica<\/strong><\/p>\n

THOUVEREZ, Ludivine (2020): \u00abM\u00e9moire graphique et conflit: la violence de l\u2019ETA dans le neuvi\u00e8me art\u00bb, Todas as Artes. Revista Luso-brasileira de Artes e Cultura<\/em>, n\u00ba 3, pp. 24-39. <\/p>\n

Consultar PDF<\/a>[vc_empty_space height=”10″]
\nResumen<\/strong>
\nTras cuarenta a\u00f1os de violencia y un saldo de mil muertos, el fin de la actividad armada de Euskadi Ta Askatasuna (ETA) abri\u00f3 el paso a una resoluci\u00f3n pac\u00edfica y democr\u00e1tica del conflicto a partir de 2011. Hoy en d\u00eda, dos preguntas permanecen sin resolver: el tratamiento que dar a los 230 presos de ETA que siguen encarcelados y la de la memoria del conflicto. Bas\u00e1ndonos en los aportes te\u00f3ricos de McCloud (1994) y Groensteen (2011) sobre el
\nlenguaje del c\u00f3mic y de Catal\u00e1 Carrasco, Drinot & Scorer (2019) and Delorme (2019) sobre memoria y vi\u00f1etas, este art\u00edculo analiza la representaci\u00f3n de la violencia en el Pa\u00eds vasco en cuatro c\u00f3mics y demuestra que el conflicto armado se ha transformado en conflicto de memoria. [vc_empty_space height=”10″]
\nAbstract<\/strong>
\nAfter 40 years of violence and a thousand deaths, Euskadi Ta Askatasuna (ETA) accepted a political and democratic solution to the Basque conflict in 2011. Nine years on, the main questions that remain to be solved are first, the status of ETA prisoners and second, the question of the memory of the conflict. This last question has not only invaded the political and media space, but also that of literary, cinematographic and artistic creation, such as comics. Thanks to the theories developed by McCloud (1994) and Groensteen (2011) about comics\u2019 language and Catal\u00e1 Carrasco, Drinot & Scorer (2019) or Delorme (2019) about comics and memory, this article analyses the representation of the violence in the Basque Country in four comics and shows that the armed conflict has morphed into a memory conflict.
\n[vc_empty_space height=”10″]
\nR\u00e9sum\u00e9<\/strong>
\nAprs quarante ans de violences ayant entra\u00een\u00e9 la mort d\u2019un millier de personnes, la fin de l\u2019activit\u00e9 de l\u2019Euskadi Ta Askatasuna (ETA) a ouvert la voie \u00e0 une r\u00e9solution pacifique et d\u00e9mocratique du conflit basque \u00e0 partir de 2011. Neuf ans apr\u00e8s, deux principales questions restent \u00e0 r\u00e9soudre: celle du statut des prisonniers de l\u2019ETA et celle de la m\u00e9moire du conflit. Cette dernire question a non seulement envahi l\u2019espace politique et m\u00e9diatique, mais aussi celui de la cr\u00e9ation litt\u00e9raire, cin\u00e9matographique et artistique. \u00c0 partir des apports th\u00e9oriques de McCloud (1994) et Groensteen (2011) sur le langage de la bande dessin\u00e9e (BD), et de Catal\u00e1 Carrasco, Drinot et Scorer (2019) ou encore Delorme (2019) sur la m\u00e9moire dans le neuvi\u00e8me art, cet article analyse la repr\u00e9sentation de la violence au Pays basque dans quatre BD et montre que le conflit arm\u00e9 s\u2019est transform\u00e9 en conflit de m\u00e9moire. [vc_empty_space height=”10″]
\nAutor<\/strong>
\nLudivine Thouverez. P\u00e1gina del autor en Dialnet.<\/a>
\n[vc_empty_space height=”10″]
\nTipo de documento<\/strong>
\nArt\u00edculo
\n[vc_empty_space height=”10″]
\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text][vc_empty_space height=”20″] Referencia bibliogr\u00e1fica THOUVEREZ, Ludivine (2020): \u00abM\u00e9moire graphique et conflit: la violence de l\u2019ETA dans le neuvi\u00e8me art\u00bb, Todas as Artes. Revista Luso-brasileira de Artes e Cultura, n\u00ba…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-25269","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/25269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/comments?post=25269"}],"version-history":[{"count":3,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/25269\/revisions"}],"predecessor-version":[{"id":25283,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/25269\/revisions\/25283"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/media?parent=25269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}