{"id":25228,"date":"2026-03-22T07:48:18","date_gmt":"2026-03-22T07:48:18","guid":{"rendered":"https:\/\/www.arovite.com\/?page_id=25228"},"modified":"2026-03-22T07:49:24","modified_gmt":"2026-03-22T07:49:24","slug":"iturregi-motiloa-victor-2025","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/es\/iturregi-motiloa-victor-2025\/","title":{"rendered":"ITURREGI-MOTILOA, V\u00edctor (2025)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n<strong>Referencia bibliogr\u00e1fica<\/strong><\/p>\n<p>ITURREGI-MOTILOA, V\u00edctor (2025): \u00abMirar con los ojos de otro. \u00c9tica, terrorismo e identificaci\u00f3n en los documentales de Jordi \u00c9vole: el caso de <em>No me llame Ternera<\/em> (2023)\u00bb, <em>Visual Review<\/em>, n\u00ba 17, pp. 245-259.<\/p>\n<p><a class=\"button blue  medium \" href=\"https:\/\/visualcompublications.es\/revVISUAL\/article\/view\/5366\/3696\" target=\"_blank\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\nEste art\u00edculo consiste en un an\u00e1lisis del documental <em>No me llame Ternera<\/em>. Por medio de una reformulaci\u00f3n del g\u00e9nero de la entrevista, el film propone una reflexi\u00f3n \u00e9tica acerca de la relaci\u00f3n entre v\u00edctimas y victimarios del terrorismo de ETA. El an\u00e1lisis se complementa con una revisi\u00f3n de la pol\u00e9mica pol\u00edtica y medi\u00e1tica antes de su estreno, as\u00ed como una somera comparaci\u00f3n con otros productos period\u00edsticos de Jordi \u00c9vole. Adem\u00e1s, se ha realizado un marco te\u00f3rico en torno a la representaci\u00f3n en los medios de comunicaci\u00f3n de personas involucradas en delitos de sangre, ya sean sufridos o perpetrados. [vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\nThis article consists of an analysis of the documentary <em>No me llame Ternera<\/em>. Through a rewriting of the interview genre, the film proposes an ethical inquiry on the relationship between victims and perpetrators of ETA terrorism. The analysis goes along with a review of the political and media controversy before its release, as well as a brief comparison with other journalistic products made by Jordi \u00c9vole. Additionally, a theoretical framework has been accomplished regarding the representation in the media of individuals involved in crimes of blood, whether suffered or perpetrated.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\nV\u00edctor Iturregui-Motiloa. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=4935708\" target=\"_blank\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica ITURREGI-MOTILOA, V\u00edctor (2025): \u00abMirar con los ojos de otro. \u00c9tica, terrorismo e identificaci\u00f3n en los documentales de Jordi \u00c9vole: el caso de No me llame&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-25228","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/25228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/comments?post=25228"}],"version-history":[{"count":3,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/25228\/revisions"}],"predecessor-version":[{"id":25236,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/25228\/revisions\/25236"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/media?parent=25228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}