{"id":24845,"date":"2026-01-18T10:57:14","date_gmt":"2026-01-18T10:57:14","guid":{"rendered":"https:\/\/www.arovite.com\/?page_id=24845"},"modified":"2026-01-18T10:58:53","modified_gmt":"2026-01-18T10:58:53","slug":"ducellier-aurore-2023","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/es\/ducellier-aurore-2023\/","title":{"rendered":"DUCELLIER, Aurore (2023)"},"content":{"rendered":"

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\nReferencia bibliogr\u00e1fica<\/strong>
\nDUCELLIER, Aurore (2023): \u00abEl uso de la memoria antifranquista por ETA en series de ficci\u00f3n\u00bb, Atlante. Revue d’\u00e9tudes romanes<\/em>, n\u00ba 19, pp. 1-18. <\/p>\n

Consultar PDF<\/a>[vc_empty_space height=”10″]
\nResumen<\/strong>
\nEn este art\u00edculo, propongo analizar c\u00f3mo algunas (mini)series de ficci\u00f3n de la \u00faltima d\u00e9cada sobre el terrorismo de ETA \u2013en especial El precio de la libertad<\/em> y El asesinato de Carrero Blanco<\/em> (2011), La l\u00ednea invisible<\/em> (2020) y, en menor medida, Patria<\/em> (2020)\u2013 tratan el complejo legado antifranquista de la temprana ETA. Desde la mitificaci\u00f3n de algunas figuras legitimadoras como el poeta Lauaxeta, de algunos momentos fundacionales en la lucha contra el franquismo y de algunos miembros convertidos en h\u00e9roes de la causa bajo el franquismo (Txabi Etxebarrieta, Mario Onaindia, Argala<\/em>), las tres primeras series ofrecen una lectura medi\u00e1tica de las ra\u00edces del terrorismo vasco y la cuarta se hace eco de esta herencia en el terrorismo de los a\u00f1os de plomo. Si bien en ocasiones beben del discurso memorialista de ETA sobre sus propias v\u00edctimas y m\u00e1rtires \u2013la figura del gudari<\/em>, la guerra civil como un episodio del conflicto ancestral\u2013 para mejor evidenciar su falacia, tienen el m\u00e9rito de cuestionar algunos t\u00f3picos surgidos de la \u201cbatalla del relato\u201d hasta el punto de poner en peligro la difusi\u00f3n o la recepci\u00f3n de dichas series. [vc_empty_space height=”10″]
\nAbstract<\/strong>
\nIn this article, I propose to analyse how some (mini)fiction series of the last decade on ETA terrorism \u2013especially El precio de la libertad<\/em> and El asesinato de Carrero Blanco<\/em> (2011), La l\u00ednea invisible<\/em> (2020) and, to a lesser extent, Patria<\/em> (2020)\u2013 deal with the complex anti-Franco legacy of the early ETA. From the mythification of some legitimising figures such as the poet Lauaxeta, of some foundational moments in the fight against Francoism and of some members who became heroes of the cause under Francoism (Txabi Etxebarrieta, Mario Onaindia, Argala<\/em>), the first three series offer a media reading of the roots of Basque terrorism and the fourth echoes this legacy in the terrorism of the years of lead. Although they sometimes draw on ETA\u2019s memorialist discourse on its own victims and martyrs \u2013the figure of the gudari<\/em>, or the civil war as an episode of the ancestral conflict\u2013 in order to better demonstrate its fallacy, they have the merit of questioning some clich\u00e9s arising from the \u201cbattle of the story\u201d to the point of endangering the dissemination or reception of these series. [vc_empty_space height=”10″]
\nR\u00e9sum\u00e9<\/strong>
\nDans cet article, je propose d\u2019analyser comment certaines s\u00e9ries de (mini)fiction de la derni\u00e8re d\u00e9cennie sur le terrorisme de l\u2019ETA \u2013en particulier El precio de la libertad<\/em> et El asesinato de Carrero Blanco<\/em> (2011), La l\u00ednea invisible<\/em> (2020) et, dans une moindre mesure, Patria<\/em> (2020)\u2013 traitent l\u2019h\u00e9ritage anti-franquiste complexe des d\u00e9buts de l\u2019ETA. \u00c0 partir de la mythification de certaines figures de l\u00e9gitimation comme le po\u00e8te Lauaxeta, de certains moments fondateurs de la lutte contre le franquisme et de certains membres devenus des h\u00e9ros de la cause sous le franquisme (Txabi Etxebarrieta, Mario Onaindia, Argala<\/em>), les trois premi\u00e8res s\u00e9ries proposent une lecture m\u00e9diatique des racines du terrorisme basque et la quatri\u00e8me fait \u00e9cho \u00e0 cet h\u00e9ritage durant le terrorisme des ann\u00e9es de plomb. Si elles s\u2019inspirent parfois du discours m\u00e9morialiste de l\u2019ETA sur ses propres victimes et martyrs \u2013la figure du gudari<\/em>, la guerre civile comme \u00e9pisode du conflit ancestral\u2013 pour mieux en d\u00e9montrer l\u2019inexactitude, elles ont le m\u00e9rite de remettre en cause certains clich\u00e9s issus de la \u00abbataille des r\u00e9cits\u00bb au point de mettre en p\u00e9ril la diffusion ou la r\u00e9ception de ces s\u00e9ries. [vc_empty_space height=”10″]
\nAutor<\/strong>
\nAurore Ducellier. P\u00e1gina del autor en Dialnet.<\/a>
\n[vc_empty_space height=”10″]
\nTipo de documento<\/strong>
\nArt\u00edculo
\n[vc_empty_space height=”10″]
\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text][vc_empty_space height=”20″] Referencia bibliogr\u00e1fica DUCELLIER, Aurore (2023): \u00abEl uso de la memoria antifranquista por ETA en series de ficci\u00f3n\u00bb, Atlante. Revue d’\u00e9tudes romanes, n\u00ba 19, pp. 1-18. Consultar PDF[vc_empty_space…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-24845","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/24845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/comments?post=24845"}],"version-history":[{"count":3,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/24845\/revisions"}],"predecessor-version":[{"id":24848,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/24845\/revisions\/24848"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/media?parent=24845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}