{"id":17535,"date":"2023-02-20T12:12:13","date_gmt":"2023-02-20T12:12:13","guid":{"rendered":"https:\/\/www.arovite.com\/?page_id=17535"},"modified":"2023-02-20T12:12:13","modified_gmt":"2023-02-20T12:12:13","slug":"vilches-gerardo-2022","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/es\/vilches-gerardo-2022\/","title":{"rendered":"VILCHES, Gerardo (2022)"},"content":{"rendered":"

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\nReferencia bibliogr\u00e1fica<\/strong>
\nVILCHES, Gerardo (2022): \u00abEl conflicto vasco y la violencia de ETA en la novela gr\u00e1fica espa\u00f1ola contempor\u00e1nea: estudio de cuatro casos\u00bb, Historia y comunicaci\u00f3n social<\/em>, vol. 27, n\u00ba 1, pp. 133-142.<\/p>\n

Consultar PDF<\/a>[vc_empty_space height=”10″]
\nResumen<\/strong>
\nEste art\u00edculo pretende aclarar las circunstancias que rodearon las cuatro primeras En los \u00faltimos a\u00f1os, la novela gr\u00e1fica espa\u00f1ola ha prestado una especial atenci\u00f3n al g\u00e9nero hist\u00f3rico, sobre todo en lo que respecta a la historia reciente. En concreto, se han publicado varias obras que abordan el conflicto vasco y la actividad de la banda terrorista ETA. Mediante la aplicaci\u00f3n de una metodolog\u00eda espec\u00edfica, la lectura cr\u00edtica de He visto ballenas<\/em> (Javier de Isusi, 2014), Las oscuras manos del olvido<\/em> (Felipe Hern\u00e1ndez Cava y Bartolom\u00e9 Segu\u00ed, 2014), Los puentes de Mosc\u00fa<\/em> (Alfonso Zapico, 2018) y Salto<\/em> (Mark Bellido y Judith Vanistendael, 2019), obras producidas en el contexto del cese de la lucha armada de ETA, revela diferentes visiones de la cuesti\u00f3n, lo que evidencia la vigencia del c\u00f3mic como medio para analizar la realidad pol\u00edtica.. [vc_empty_space height=”10″]
\nAbstract<\/strong>
\nIn the last years, Spanish graphic novel has paid special attetion to historical genre, particulary in respect of recent history. Concretely, many works which deal with Basque conflict and terrorist group ETA\u2019s actions have been published. Through the application of an specific methodology, the critical reading of He visto ballenas<\/em> (Javier de Isusi, 2014), Las oscuras manos del olvido<\/em> (Felipe Hern\u00e1ndez Cava and Bartolom\u00e9 Segu\u00ed, 2014), Los puentes de Mosc\u00fa<\/em> (Alfonso Zapico, 2018) and Salto<\/em> (Mark Bellido and Judith Vanistendael, 2019), works produced in the context of the end of the armed struggle of ETA, reveals different points of view, which underline the value of comic as a medium for the analysis of political reality. [vc_empty_space height=”10″]
\nAutor<\/strong>
\nGerardo Vilches. P\u00e1gina del autor en Dialnet.<\/a>
\n[vc_empty_space height=”10″]
\nTipo de documento<\/strong>
\nArt\u00edculo
\n[vc_empty_space height=”10″]
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[vc_row][vc_column width=”1\/1″][vc_column_text][vc_empty_space height=”20″] Referencia bibliogr\u00e1fica VILCHES, Gerardo (2022): \u00abEl conflicto vasco y la violencia de ETA en la novela gr\u00e1fica espa\u00f1ola contempor\u00e1nea: estudio de cuatro casos\u00bb, Historia y comunicaci\u00f3n social,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-17535","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/17535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/comments?post=17535"}],"version-history":[{"count":2,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/17535\/revisions"}],"predecessor-version":[{"id":17541,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/17535\/revisions\/17541"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/media?parent=17535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}