{"id":12501,"date":"2021-01-08T08:39:21","date_gmt":"2021-01-08T08:39:21","guid":{"rendered":"https:\/\/www.arovite.com\/?page_id=12501"},"modified":"2021-01-08T08:39:21","modified_gmt":"2021-01-08T08:39:21","slug":"barrenetxea-maranon-igor-2020","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/es\/barrenetxea-maranon-igor-2020\/","title":{"rendered":"BARRENETXEA MARA\u00d1\u00d3N, Igor (2020)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n<strong>Referencia bibliogr\u00e1fica<\/strong><br \/>\nBARRENETXEA MARA\u00d1\u00d3N, Igor (2020): \u00abEl cine sobre ETA para una buena educaci\u00f3n. Llorar, re\u00edr y aprender en las aulas\u00bb, <em>Sancho el Sabio<\/em>, N\u00ba 43, 143-171.<\/p>\n<p><a class=\"button blue  medium \" href=\"https:\/\/dialnet.unirioja.es\/servlet\/articulo?codigo=7669336\" target=\"_blank\" rel=\"noopener\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\nEste art\u00edculo aborda la relevancia que cobra la conexi\u00f3n entre las relaciones historia y cine, y c\u00f3mo este v\u00ednculo ayuda al tratamiento de temas educativos complejos y delicados en el aula, como es la historia de la organizaci\u00f3n terrorista ETA y sus terribles efectos en la sociedad, m\u00e1s concretamente, en los afectados. No hay duda de que el cine es capaz de mostrarnos en vivo la descarnada realidad de los atentados pero, sobre todo, nos ayuda a encarar con \u00e9xito la desmitificaci\u00f3n de la vida terrorista y la dignificaci\u00f3n del papel de las v\u00edctimas. Y tratar tales im\u00e1genes, desde el aula, es esencial para exorcizar sus fantasmas y desarrollar una conciencia \u00e9tica adecuada y coherente con los valores de nuestra sociedad democr\u00e1tica. [vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\nThis article addresses the relevance that the connection between cinema and history relations takes on and how that link helps us to enable and support the dealing with of complex education issues in the classroom, such as the history of the terrorist organization ETA and its terrible effects on society and, more specifically, on the victims. There is no doubt that cinema is able to show us \u201clive\u201d the stark reality of the attacks but, above all, it helps us face successfully the demythologizing of terrorist life and the dignifying of the victims\u00b4 roles. Additionally, addressing such images in the classrooms is essential to exorcize their ghosts and develop an appropriate ethical conscience, consistent with our democratic society\u00b4s values. [vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Laburpena<\/strong><br \/>\nHistoriaren eta zinemaren arteko loturak duen garrantzia aztertzen du artikulu honek, eta lotura horrek nola laguntzen duen ikasgelan hezkuntza-gai konplexuak eta korapilatsuak tratatzeko, nolakoa den ETA talde terroristaren historia eta gizartean izan dituen ondorio izugarriak, eta zehatzago, eraginpean hartutako pertsonengan izandakoak. Ez dago zalantzarik zinemak zuzenean erakutsi diezagukeela atentatuen errealitate gordina, baina, batez ere, bizitza terroristaren desmitifikazioa eta biktimen paperaren duintzea arrakastaz bideratzen laguntzen digu. Eta irudi horiek ikasgelatik tratatzea funtsezkoa da norberak bere mamuak exorzizatu ditzan eta gizarte demokratiko baten balioetarako egokia den eta balio horiekin koherentea den kontzientzia etiko bat garatzeko.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\nIgor Barrenetxea Mara\u00f1\u00f3n. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=153222\" target=\"_blank\" rel=\"noopener\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica BARRENETXEA MARA\u00d1\u00d3N, Igor (2020): \u00abEl cine sobre ETA para una buena educaci\u00f3n. Llorar, re\u00edr y aprender en las aulas\u00bb, Sancho el Sabio, N\u00ba 43, 143-171.&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-12501","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/12501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/comments?post=12501"}],"version-history":[{"count":1,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/12501\/revisions"}],"predecessor-version":[{"id":12502,"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/pages\/12501\/revisions\/12502"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/es\/wp-json\/wp\/v2\/media?parent=12501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}