{"id":9295,"date":"2019-01-14T17:51:47","date_gmt":"2019-01-14T17:51:47","guid":{"rendered":"http:\/\/www.arovite.com\/malalana-urena-antonio-y-fernandez-gonzalez-gonzalo-2006\/"},"modified":"2025-10-05T09:15:58","modified_gmt":"2025-10-05T09:15:58","slug":"malalana-urena-antonio-y-fernandez-gonzalez-gonzalo-2006","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/en\/malalana-urena-antonio-y-fernandez-gonzalez-gonzalo-2006\/","title":{"rendered":"MALALANA URE\u00d1A, Antonio y FERN\u00c1NDEZ GONZ\u00c1LEZ, Gonzalo (2006)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n<strong>Referencia bibliogr\u00e1fica<\/strong><br \/>\nMALALANA URE\u00d1A, Antonio y FERN\u00c1NDEZ GONZ\u00c1LEZ, Gonzalo (2006): \u00abETA y el cine. Las fuentes de informaci\u00f3n de los profesionales del cine\u00bb, <em>Revista general de informaci\u00f3n y documentaci\u00f3n<\/em>, vol. 16, n\u00ba 2, pp. 195-216.<\/p>\n<p><a class=\"button blue  medium \" href=\"https:\/\/dialnet.unirioja.es\/servlet\/articulo?codigo=2235620&#038;orden=151785&#038;info=link\" target=\"_blank\" rel=\"noopener\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\nEn el a\u00f1o 1976, I\u00f1aki N\u00fa\u00f1ez comienza el rodaje de la primera pel\u00edcula cuyo argumento ten\u00eda que ver con ETA. Desde entonces, entre ficci\u00f3n y documentales, se han realizado casi cuarenta filmes. Salvo excepciones, para ambos g\u00e9neros, la utilizaci\u00f3n de fuentes de informaci\u00f3n ha sido imprescindible para escribir el gui\u00f3n y conveniente para recuperar la ambientaci\u00f3n. El presente trabajo tiene como objeto identificar los recursos documentales empleados en cada uno de las pel\u00edculas seleccionadas, sistematizarlos, conocer la procedencia e identificar cu\u00e1l ha sido su utilizaci\u00f3n.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\nIn 1976, I\u00f1aki N\u00fa\u00f1ez started shooting his first film about ETA. Since then, he has made nearly forty films, both fiction and documentaries. With a few exceptions, for both kinds of film, the use of sources of information has been fundamental in order to write the script and useful in order to fix the setting. The objective is to identify the documentary resources used in each of the films selected, systemise them, find out where they come from, and identify how each of them has been used.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\nAntonio Malalana Ure\u00f1a. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=130702\" target=\"_blank\" rel=\"noopener\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\nGonzalo Fern\u00e1ndez Gonz\u00e1lez. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=897233\" target=\"_blank\" rel=\"noopener\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica MALALANA URE\u00d1A, Antonio y FERN\u00c1NDEZ GONZ\u00c1LEZ, Gonzalo (2006): \u00abETA y el cine. Las fuentes de informaci\u00f3n de los profesionales del cine\u00bb, Revista general de informaci\u00f3n&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-9295","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/9295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/comments?post=9295"}],"version-history":[{"count":2,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/9295\/revisions"}],"predecessor-version":[{"id":24752,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/9295\/revisions\/24752"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/media?parent=9295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}