{"id":9290,"date":"2019-01-14T17:50:13","date_gmt":"2019-01-14T17:50:13","guid":{"rendered":"http:\/\/www.arovite.com\/labiano-juangarcia-roncesvalles-2018\/"},"modified":"2019-01-14T17:50:13","modified_gmt":"2019-01-14T17:50:13","slug":"labiano-juangarcia-roncesvalles-2018","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/en\/labiano-juangarcia-roncesvalles-2018\/","title":{"rendered":"LABIANO JUANGARC\u00cdA, Roncesvalles (2018)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n<strong>Referencia bibliogr\u00e1fica<\/strong><br \/>\nLABIANO JUANGARC\u00cdA, Roncesvalles (2018): \u00abLas v\u00edctimas en los primeros largometrajes del cine espa\u00f1ol sobre ETA (1977-1981). S\u00edmbolos, uniformes y ausencias\u00bb, <em>SCIO. Revista de Filosof\u00eda<\/em>, n\u00ba 14, pp. 147-176.<\/p>\n<p><a class=\"button blue medium \"href=\"https:\/\/dialnet.unirioja.es\/descarga\/articulo\/6544900.pdf\" target=\"_blank\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\nEl cine es producto y agente de su tiempo, y los filmes sobre ETA y sus v\u00edctimas no son una excepci\u00f3n. Las pel\u00edculas pueden ser una fuente de conocimiento de la realidad social y pol\u00edtica presente o pasada: algunas aspiran a recrear un hecho hist\u00f3rico o una \u00e9poca, pero pueden mostrar adem\u00e1s \u2013de manera intencionada o no\u2013 rasgos del momento hist\u00f3rico de la producci\u00f3n o de la ideolog\u00eda de sus creadores. Al mismo tiempo, los filmes transmiten ideas, valores y representaciones del mundo que pueden influir en el imaginario colectivo. Este art\u00edculo explora y muestra esas relaciones a trav\u00e9s del an\u00e1lisis de la representaci\u00f3n de las v\u00edctimas en los primeros largometrajes cinematogr\u00e1ficos espa\u00f1oles sobre ETA que vieron la luz entre 1977 y 1981, a\u00f1os de plomo de la organizaci\u00f3n y de profundo cambio pol\u00edtico y social en Espa\u00f1a.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\nCinema is a product and agent of its time, and films about ETA and its victims are no exception. Movies usually show traces of the time they were produced; they are a source of knowledge about present or past social and political reality and, at the same time, they transmit ideas, values and representations of the world that can influence the collective imagination. This paper explores and shows those relations through the analysis of the representation of victims in early Spanish films about ETA. These first movies were released between 1977 and 1981, ETA\u2019s years of lead and a period of deep political and social change in Spain.<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\nRoncesvalles Labiano Juangarc\u00eda. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=4285982\" target=\"_blank\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica LABIANO JUANGARC\u00cdA, Roncesvalles (2018): \u00abLas v\u00edctimas en los primeros largometrajes del cine espa\u00f1ol sobre ETA (1977-1981). S\u00edmbolos, uniformes y ausencias\u00bb, SCIO. Revista de Filosof\u00eda, n\u00ba&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-9290","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/9290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/comments?post=9290"}],"version-history":[{"count":0,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/9290\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/media?parent=9290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}