{"id":6815,"date":"2016-09-09T16:41:54","date_gmt":"2016-09-09T16:41:54","guid":{"rendered":"http:\/\/www.arovite.com\/bermudez-de-castro-juanjo-2015-2\/"},"modified":"2016-09-09T16:41:54","modified_gmt":"2016-09-09T16:41:54","slug":"bermudez-de-castro-juanjo-2015","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/en\/bermudez-de-castro-juanjo-2015\/","title":{"rendered":"BERM\u00daDEZ DE CASTRO, Juanjo (2015)"},"content":{"rendered":"

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\nReferencia bibliogr\u00e1fica<\/strong>
\nBERM\u00daDEZ DE CASTRO, Juanjo (2015): \u00abRe-escritura discursiva del terrorismo a trav\u00e9s del cine espa\u00f1ol contempor\u00e1neo: Ocho Apellidos Vascos<\/em> (2014) y La Revoluci\u00f3n de los \u00c1ngeles<\/em> (2014)\u00bb, Studia Romanica Posnaniensia<\/em>, vol. XLII, n\u00ba 2, pp. 127-136.<\/p>\n

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\nAbstract<\/strong>
\nThe year 2014 saw the release of two films on the topic of terrorism from a perspective not yet adopted in Spanish fictional works: the comedy Ocho apellidos vascos<\/em>, by Emilio Mart\u00ednez-L\u00e1zaro, and La revoluci\u00f3n de los \u00e1ngeles<\/em>, the social drama depicting the terrorist as a social activist, by Javier Silvestre, Oriol Clavell and Marc Barbena. This article explores the ways in which both approaches move away from more traditional forms of representing terrorism, such as the thriller or the emotional tribute to the victims, and to what extent the success of both films is a result of their unique perspectives on the question of terrorism.
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\nAutor<\/strong>
\nJuanjo Berm\u00fadez de Castro. P\u00e1gina del autor en Dialnet.<\/a>
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\nTipo de documento<\/strong>
\nArt\u00edculo
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[vc_row][vc_column width=”1\/1″][vc_column_text][vc_empty_space height=”20″] Referencia bibliogr\u00e1fica BERM\u00daDEZ DE CASTRO, Juanjo (2015): \u00abRe-escritura discursiva del terrorismo a trav\u00e9s del cine espa\u00f1ol contempor\u00e1neo: Ocho Apellidos Vascos (2014) y La Revoluci\u00f3n de los \u00c1ngeles…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-6815","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t