{"id":18347,"date":"2023-10-09T08:40:29","date_gmt":"2023-10-09T08:40:29","guid":{"rendered":"https:\/\/www.arovite.com\/labiano-juangarcia-roncesvalles-2022\/"},"modified":"2023-10-09T08:40:29","modified_gmt":"2023-10-09T08:40:29","slug":"labiano-juangarcia-roncesvalles-2022","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/en\/labiano-juangarcia-roncesvalles-2022\/","title":{"rendered":"LABIANO JUANGARC\u00cdA, Roncesvalles (2022)"},"content":{"rendered":"

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\n Referencia bibliogr\u00e1fica<\/strong>
\nLABIANO JUANGARC\u00cdA, Roncesvalles (2022): \u00abLas v\u00edctimas de ETA en el cine de los a\u00f1os ochenta en torno al terrorismo en el Pa\u00eds Vasco\u00bb, Filmhistoria online<\/em>, vol. 32, n\u00ba 2, pp. 88-109.<\/p>\n

Consultar PDF<\/a>[vc_empty_space height=”10″]
\nResumen<\/strong>
\nPartiendo de la idea de que las pel\u00edculas son testigos y agentes de la Historia, se plantea un recorrido por el cine de los ochenta en torno al terrorismo en Euskadi desde la perspectiva de la representaci\u00f3n de las v\u00edctimas de ETA. Se constata que, aunque se dieron algunos pasos adelante, la representaci\u00f3n fue pobre y desequilibrada. Los damnificados por ETA tuvieron poca presencia, sobre todo en comparaci\u00f3n con aquellos que sufrieron violencia por parte de los cuerpos policiales.[vc_empty_space height=”10″]
\nAbstract<\/strong>
\nBased on the idea that films are witnesses and agents of History, we propose a journey through the cinema of the eighties about terrorism in the Basque Country from the perspective of the representation of the victims of ETA. It is found that, although some steps forward were taken, the representation was poor and unbalanced. The victims of ETA had little presence, especially in comparison with those who suffered violence at the hands of the police forces. [vc_empty_space height=”10″]
\nAutor<\/strong>
\nRoncesvalles Labiano Juangarc\u00eda. P\u00e1gina del autor en Dialnet.<\/a>
\n[vc_empty_space height=”10″]
\nTipo de documento<\/strong>
\nArt\u00edculo
\n[vc_empty_space height=”10″]
\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text][vc_empty_space height=”20″] Referencia bibliogr\u00e1fica LABIANO JUANGARC\u00cdA, Roncesvalles (2022): \u00abLas v\u00edctimas de ETA en el cine de los a\u00f1os ochenta en torno al terrorismo en el Pa\u00eds Vasco\u00bb, Filmhistoria online,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-18347","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/18347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/comments?post=18347"}],"version-history":[{"count":0,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/18347\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/media?parent=18347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}