{"id":18224,"date":"2023-10-06T10:26:03","date_gmt":"2023-10-06T10:26:03","guid":{"rendered":"https:\/\/www.arovite.com\/eser-patrick-2022\/"},"modified":"2023-10-06T10:26:03","modified_gmt":"2023-10-06T10:26:03","slug":"eser-patrick-2022","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/en\/eser-patrick-2022\/","title":{"rendered":"ESER, Patrick (2022)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;]<br \/>\n <strong>Referencia bibliogr\u00e1fica<\/strong><br \/>\nESER, Patrick (2022): \u00abReflexiones para despu\u00e9s de la violencia. Afectos, \u00e9ticas del perd\u00f3n y el deber de memoria en las narrativas del posconflicto vasco: el caso de Maixabel (2021)\u00bb, <em>Filmhistoria online<\/em>, vol. 32, n\u00ba 2, pp. 110-132.<\/p>\n<p><a class=\"button blue  medium \" href=\"https:\/\/revistes.ub.edu\/index.php\/filmhistoria\/article\/view\/41350\/38747\" target=\"_blank\" rel=\"noopener\">Consultar PDF<\/a>[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Resumen<\/strong><br \/>\nEste estudio analiza la pel\u00edcula espa\u00f1ola Maixabel (2021) como una reflexi\u00f3n cinematogr\u00e1fica dentro del conjunto de las narrativas culturales del posconflicto vasco. Se analizan los encuentros restaurativos que est\u00e1n en el centro del relato del filme enfocando los personajes y sus relaciones. La interpretaci\u00f3n de la situaci\u00f3n dial\u00f3gica entre v\u00edctima y victimarios y del lugar de la conmemoraci\u00f3n del pol\u00edtico asesinado por ETA, Juan Mar\u00eda J\u00e1uregui, constituyen los aspectos claves desde los que se lee la pel\u00edcula. Los gestos cinematogr\u00e1ficos hacia una justicia restaurativa que realiza Maixabel, est\u00e1n puestos en di\u00e1logo con las reflexiones acerca de la \u00e9tica del perd\u00f3n y la visi\u00f3n de una futura convivencia en paz que caracteriza el postconflicto vasco. [vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Abstract<\/strong><br \/>\nThe study analyses the Spanish film Maixabel (2021) as a cinematic reflection within the set of cultural narratives of the Basque post-conflict. It analyses the restorative encounters that are at the heart of the film&#8217;s narrative by focusing on the characters and their relationships. The interpretation of the dialogical situation between victim and perpetrators and the place of the commemoration of the politician assassinated by ETA, Juan Mar\u00eda J\u00e1uregui, constitute the key aspects from which the film is read. The cinematographic gestures towards restorative justice made by Maixabel are placed in dialogue with the reflections on the ethics of forgiveness and the vision of a future coexistence in peace that characterizes the Basque post-conflict. [vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Autor<\/strong><br \/>\nPatrick Eser. <a title=\"Dialnet\" href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=2483393 \" target=\"_blank\" rel=\"noopener\">P\u00e1gina del autor en Dialnet.<\/a><br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n<strong>Tipo de documento<\/strong><br \/>\nArt\u00edculo<br \/>\n[vc_empty_space height=&#8221;10&#8243;]<br \/>\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text][vc_empty_space height=&#8221;20&#8243;] Referencia bibliogr\u00e1fica ESER, Patrick (2022): \u00abReflexiones para despu\u00e9s de la violencia. Afectos, \u00e9ticas del perd\u00f3n y el deber de memoria en las narrativas del posconflicto vasco: el&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-18224","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/18224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/comments?post=18224"}],"version-history":[{"count":0,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/18224\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/media?parent=18224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}