{"id":17263,"date":"2023-02-20T07:26:21","date_gmt":"2023-02-20T07:26:21","guid":{"rendered":"https:\/\/www.arovite.com\/?page_id=17263"},"modified":"2023-02-20T07:26:22","modified_gmt":"2023-02-20T07:26:22","slug":"martinez-alvarez-josefina-2022","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/en\/martinez-alvarez-josefina-2022\/","title":{"rendered":"MART\u00cdNEZ \u00c1LVAREZ, Josefina (2022)"},"content":{"rendered":"

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\nReferencia bibliogr\u00e1fica<\/strong>
\nMART\u00cdNEZ \u00c1LVAREZ, Josefina (2022): \u00abDe la invisibilidad a la reparaci\u00f3n: el largo camino de las mujeres v\u00edctimas del terrorismo y su construcci\u00f3n en el cine\u00bb, Araucaria. Revista Iberoamericana de Filosof\u00eda, Pol\u00edtica, Humanidades y Relaciones Internacionales<\/em>, n\u00ba 50, pp. 183-204.<\/p>\n

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\nResumen<\/strong>
\nDesde 2001, los cineastas han reflejado en sus obras las consecuencias del terrorismo end\u00f3geno en las mujeres que, directa o indirectamente, han sido v\u00edctimas de la violencia pol\u00edtica. En este art\u00edculo se analiza el tratamiento cinematogr\u00e1fico dado a estas v\u00edctimas en las pel\u00edculas de ficci\u00f3n producidas en cuatro pa\u00edses -Irlanda, Alemania, Italia y Espa\u00f1a- castigados con una mayor virulencia por la lucha armada una vez depuestas las armas. El objetivo de esta investigaci\u00f3n es conocer las diferencias y similitudes de los estereotipos propuestos por el s\u00e9ptimo arte. Concretamente, aquellas mujeres que fueron silenciadas durante los a\u00f1os m\u00e1s duros de la lucha armada, ahora, ser\u00e1n definidas con unas caracter\u00edsticas que sirven de modelo universal para comprender el papel de las mujeres en la sociedad despu\u00e9s de los conflictos. [vc_empty_space height=”10″]
\nAbstract<\/strong>
\nSince 2001, filmmakers have reflected in their works the consequences of domestic terrorism on those women who, directly or indirectly, have been victims of political violence. This article analyzes the cinematographic treatment given to these victims in the fiction films produced in four countries -Ireland, Germany, Italy and Spain-, punished with greater virulence for the armed struggle, once after the terrorist groups laid down their arms. The objective of this research is to know the differences and similarities of the stereotypes proposed in the films. Those women who were silenced during the hardest years of the armed struggle will now be defined with characteristics that serve as a universal model to understand the role of women in society after conflicts. [vc_empty_space height=”10″]
\nAutor<\/strong>
\nJosefina Mart\u00ednez \u00c1lvarez. P\u00e1gina del autor en Dialnet.<\/a>
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\nTipo de documento<\/strong>
\nArt\u00edculo
\n[vc_empty_space height=”10″]
\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text][vc_empty_space height=”20″] Referencia bibliogr\u00e1fica MART\u00cdNEZ \u00c1LVAREZ, Josefina (2022): \u00abDe la invisibilidad a la reparaci\u00f3n: el largo camino de las mujeres v\u00edctimas del terrorismo y su construcci\u00f3n en el cine\u00bb,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-17263","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/17263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/comments?post=17263"}],"version-history":[{"count":1,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/17263\/revisions"}],"predecessor-version":[{"id":17264,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/17263\/revisions\/17264"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/media?parent=17263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}