{"id":17214,"date":"2023-02-17T19:27:32","date_gmt":"2023-02-17T19:27:32","guid":{"rendered":"https:\/\/www.arovite.com\/?page_id=17214"},"modified":"2023-02-17T19:27:33","modified_gmt":"2023-02-17T19:27:33","slug":"jimenez-ramos-maria-castrillo-pablo-y-labiano-roncesvalles-2022","status":"publish","type":"page","link":"https:\/\/www.arovite.com\/en\/jimenez-ramos-maria-castrillo-pablo-y-labiano-roncesvalles-2022\/","title":{"rendered":"JIM\u00c9NEZ RAMOS, Mar\u00eda, CASTRILLO, Pablo y LABIANO, Roncesvalles (2022)"},"content":{"rendered":"

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\nReferencia bibliogr\u00e1fica<\/strong>
\nJIM\u00c9NEZ RAMOS, Mar\u00eda, CASTRILLO, Pablo y LABIANO, Roncesvalles (2022): \u00abUna \u201cmemoria emocional\u201d del terrorismo de ETA: representaci\u00f3n de las v\u00edctimas en La l\u00ednea invisible<\/em> y Patria<\/em>\u00bb, Araucaria. Revista Iberoamericana de Filosof\u00eda, Pol\u00edtica, Humanidades y Relaciones Internacionales<\/em>, n\u00ba 50, pp. 37-59.<\/p>\n

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\nResumen<\/strong>
\nEl cese definitivo de la violencia que la organizaci\u00f3n terrorista ETA anunci\u00f3 en 2011 dio paso a un debate pol\u00edtico y cultural acerca de qu\u00e9 versi\u00f3n de la historia quedar\u00eda fijada en la memoria colectiva. Esta confrontaci\u00f3n de narrativas pol\u00edticas se ha conocido como \u201cbatalla del relato\u201d. Los productos culturales, incluidas las series de ficci\u00f3n, juegan un papel activo en dicha batalla en tanto que contribuyen a la formaci\u00f3n de la memoria colectiva a partir de una disposici\u00f3n emocional compartida. Este art\u00edculo analiza c\u00f3mo dos de las principales producciones audiovisuales, Patria<\/em> (HBO, 2020) y La l\u00ednea invisible<\/em> (Movistar+, 2020), realizan su particular aportaci\u00f3n a la \u201cmemoria emocional\u201d del terrorismo utilizando la narrativa de la centralidad de la v\u00edctima, que pone en el centro del relato a quienes han padecido las consecuencias directas del terrorismo. [vc_empty_space height=”10″]
\nAbstract<\/strong>
\nThe definitive cessation of violence announced by the terrorist organisation ETA in 2011 gave way to a political and cultural debate about which version of history would be fixed in the collective memory. This confrontation of political narratives has become known as the “battle of the narrative”. Cultural products, including fiction series, play an active role in this battle as they contribute to the formation of collective memory on the basis of a shared emotional disposition. This article analyses how two of the main audiovisual productions about the history of ETA, Patria<\/em> (HBO, 2020) and La l\u00ednea invisible<\/em> (Movistar+, 2020), make their particular contribution to the “emotional memory” of terrorism using the narrative of the centrality of the victim, which places those who have suffered the direct consequences of terrorism at the centre of the story. [vc_empty_space height=”10″]
\nAutor<\/strong>
\nMar\u00eda Jim\u00e9nez Ramos. P\u00e1gina del autor en Dialnet.<\/a>
\nPablo Castrillo. P\u00e1gina del autor en Dialnet.<\/a>
\nRoncesvalles Labiano. P\u00e1gina del autor en Dialnet.<\/a>
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\nTipo de documento<\/strong>
\nArt\u00edculo
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\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_column_text][vc_empty_space height=”20″] Referencia bibliogr\u00e1fica JIM\u00c9NEZ RAMOS, Mar\u00eda, CASTRILLO, Pablo y LABIANO, Roncesvalles (2022): \u00abUna \u201cmemoria emocional\u201d del terrorismo de ETA: representaci\u00f3n de las v\u00edctimas en La l\u00ednea invisible y…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"_vp_custom_popup_image":0,"_vp_format_audio_url":"","_vp_custom_thumbnail":0,"_vp_custom_thumbnail_focal_point":[],"_vp_hover_thumbnail":0,"_vp_hover_thumbnail_focal_point":[],"footnotes":""},"class_list":["post-17214","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/17214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/comments?post=17214"}],"version-history":[{"count":1,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/17214\/revisions"}],"predecessor-version":[{"id":17216,"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/pages\/17214\/revisions\/17216"}],"wp:attachment":[{"href":"https:\/\/www.arovite.com\/en\/wp-json\/wp\/v2\/media?parent=17214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}